
Kevin Costner and William Hurt. The duo where Costner praises Hurt's brilliance, or tries to escape the hunger of Hurt. The whole second psyche, and that the two think separately from each other is phenomenal. I also love how when Hurt appears when Costner is around other people was done smartly. They show Costner's two psyches as two physical characters to represent what's actually going on his mind. Almost like a soliloquy, except that there are two people present and not just one, even though it is just one person. Its just brilliant. Cinematic poetry, but not on an indie film level.
Mel Gibson in this film is amazing. Seeing him play a father, in a way that he acts like himself makes this movie so charming. I think that this was his last film he acted in. Shame. He's talented, regardless of his bigotry and racism or whatever else he said to offend the public. His character's relationship with faith, is almost the same as a childhood friend. At some point in life, someone you trust and have leaned on and grew with your whole life suddenly does something to hurt you indirectly that completely changes you in ways that you never could have imagined. Shyamalan is usually a good writer, he sometimes is not so great, but the part seemed to be made for Mel Gibson. Gibson delivers the perfect amount of tenderness to this film that makes the film that much more amazing. I also like to note that Joaquin Phoenix is also very good in this film. I had seen him in some other movies before, but this is the movie that made me love him as an actor and to watch for all his movies. My favourite scene in the movie is when the sheriff comes to the house and the three of them have a conversation about what they saw the night before. Phoenix really needs to do some comedy, at least one. I don't care what kind. He has a coyness in his facial expressions that make him enjoyable to watch. Phoenix's character shares a story about how he almost made out with a girl at a party, but he had gum in his mouth, so he found something to place the gum. When he turned around, the girl had thrown up all over herself. He told this story like it really could have been his story. The two of them alone make up for the ending. 

This movie has a great cast, but Natalie Portman steals the show with her brilliant acting. The older she gets and the more films she does, she really seems to expand her craft. Considering her age, she will only get better in the future. The part where she really starts to get into her character is when Anne gets back from Paris and at supper she already flirtatiously challenges Bana. This is probably one weapon women have over men is their ability to use their sexuality in an intelligent manner that commands attention and power. In this case, challenging a king is probably not the best way to use your manipulative skill for ambition. Sexuality has a limit when it comes to who has the most power.

Steve Carell is just wonderful in this film. He always plays a goof when he acts. For some reason he seems more real and not so over done like he usually does in his other films. The Office is simply a different nature and I won't talk about his acting in the hit show. A could relate to the humanism portrayed in this film. Carell's character is pathetic, lonely and lost. Something we can all relate to... unless you have no sense of humour for life and its miseries, and in that case, I feel sorry for you. This is why comedians are usually depressed. Comedy and sadness are closely tied together. Funny how that is.

To conclude the rest of the post, I'd have to say some of the best films that can be rewatched over and over contain some sort of comedy or wit to it. I read my electronic fortune cookie and it said something very true. "Life is tragic for those who feel. Life is a comedy when you have humor" or something along those lines. I couldn't have said it better. That's what all these films have in common. No wonder I like them so much.
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